Rouge Etude: How Sherlock Holmes Became a Misogynist by Deborah Magid
Monday, October 27, 2014 7:00pm FREE ADMISSION
A game of violent seduction crescendos between young Sherlock Holmes and world-famous violinist Wilhelmine Norman-Neruda. But when his Stradivarius comes to life, the threesome goes horribly awry.
Broken Wings by Stuart Hoffman
Monday, November 3, 2014 7:00 pm FREE ADMISSION
An elderly bibliophile is stuck in his fantasies, imagining conversations between him and an unknown woman he was in love with as a younger man. However, when an energetic and spontaneous girl enters his life for real, he must choose between an unpredictable reality and a reliable fantasy.
Nude Reclining Into Shadow by Christopher Johnston
Monday, November 10, 2014 7:00 pm FREE ADMISSION
An aging artist has reached a creative plateau. When he meets a new model who quickly becomes his muse, he’s reinvigorated, but he’s not sure whether she’s more challenging than inspiring.
What is the Playwrights’ GYM?
The Playwrights’ GYM is a program that provides local playwrights with the opportunity to workshop new work. Playwrights’ GYM members are area professionals who are given various resources to help further their work. These resources include rehearsal space, collaboration with a director to assist the playwright, marketing, and public events supported by the theatre. The GYM’s goal is to nurture new work in a safe environment, provide the “exercise” equipment needed to develop new plays by these Cleveland-area writers.
Playwrights’ Gym: Staged Readings of New Work
All staged readings take place on Monday evenings at 7 pm.
Admission is free, general seating.
Other upcoming Playwrights’ GYM events:
Monday, January 26
“The Next Incarnation: The “S” Plays” by Juliette Regnier
This work confronts the Parisian Scottish Wyoming Plains of Whoredom and it’s not a pretty place.
Monday, February 9
“A Cruel Necessity” by Anne McEvoy
A consideration of life without the arts by the spirits of Oliver Cromwell, Nell Gwynn, and the notorious Pudding Lane players.
Monday, March 16
“Harrowing” by Greg Vovos
By exploring the effects heroin has on the lives of those who abuse the drug, this play delves into the far-reaching ripples of damage an abuser can have on family, friends and community.
Monday, May 4 or 11: Playwrights’ Gym Showcase
Short scenes from works in progress by members of the Playwrights’ Gym.
Cornell Hubert Calhoun III, a nominee for the 2013 Cleveland Arts Prize for Literature. He received a 2012 VSC Writing Fellowship from the Vermont Studio Center in Johnston, Vt. and was awarded the 2010 Ohio Arts Council Individual Excellence Award. His plays 2 Trains and Blue were recently selected for the 2013 DC Black Theater Festival in Washington, D.C. Mr. Calhoun is a three-time semi-finalist ( 2006, 2007 and 2013 ) at the Eugene O’Neill National Playwrights Conference, for his works, East 43rd , A Tyme 4 Blue and Blue Silk. His plays, Bloooz 4 an Early Autumn and Any Man & Five Cents were selected at The National Black Theater Festival in 2009 and 2011. He credits much of his success to Cleveland theatre legends, Reuben and Dorothy Silver long-time mentors. Mr. Calhoun holds a B.A. in English and a M.A. in Education.
Stuart Hoffman is a Cleveland-based actor, playwright, and baker. Since 2006, Stuart has performed with nearly every local theater company in Cleveland, including convergence-continuum, Cleveland Public Theatre, The Cleveland and Ohio Shakespeare Festivals, Ensemble Theatre, Theatre Ninjas, Mamai and The Ohio City Theater Project. As a playwright, his work has been seen, varying from readings to full productions, at Ensemble Theatre (Cocopelli: a fairy tale), Lorain County Community College (A Flock of Seagulls), Dobama (Let’s Call the Whole Thing Off) and Cleveland Public Theatre (Eureka, Kiss Kiss Bang Bang, Broken Wings). Stuart has served as a judge for Dobama’s Marilyn Bianchi Children’s Playwriting Festival for the past six years and currently serves on the volunteer board for the FRIENDS of the Cleveland Heights-University Heights public libraries, committed to the appreciation, improvement and use of our public libraries.
Les Hunter is an Assistant Professor of English at Baldwin Wallace University, Literary Director of Theatre 167, past Curator of New Plays at LaGuardia Performing Arts Center, and co-founder of the Brooklyn Playwrights Collective. He wrote for all three parts of the collaborative Jackson Heights Trilogy (Theatre 167, published: Indie Theatre Now). Other projects include his plays Biggest Break (Artistic New Directions), Lion of the East (Bates College), Cyrano de Bergen County, New Jersey (published: Playscripts), and To the Orchard (Foundation for Jewish Culture New Play Grant); an American adaptation with Ozen Yula of his play, For Rent (LPAC,); a screenplay, Lion (Dubai Film Connection); and a musical, ’99, developed at Millikan University with Ben Morss of the band Cake. Les’ writing about theater has appeared in American Theatre Magazine, offoffonline.com, The Dramatist, and The Eugene O’Neill Review. In 2014 he was a resident at the Ora Lerman Foundation Soaring Gardens Artist’s Retreat and a participant in the Mellon School of Theatre and Performance Research at Harvard University. MA: Brooklyn College, MFA: Boston University, PhD: Stony Brook University. Website: http://www.leslielarshunter.com.
Christopher Johnston is a playwright, director and freelance journalist. His play about a Vietnam veteran, Ghosts of War, premiered at Dobama in January 2013. His plays have appeared at Cleveland Public Theatre (Sexually Explicit Material, The Mind Field, Theories of Relativity, The Mad Mask Maker of Maigh Eo), Dobama Theater’s Night Kitchen (Murder in Mind, Loud Americans: A Punk Saga), and convergence-continuum (APORKALYPSE!, Spawn of the Petrosexuals ). Last Light, was performed at the West 78th Street Theatre Lab in New York. He has directed for The Bang & The Clatter Theatre Co., Charenton Theatre Co., CPT, Dobama, IngenuityFest, and Karamu House. He also teaches playwriting and nonfiction workshops at Cleveland State University. He has published more than 3,000 articles in numerous publications, including American Theatre, Balanced Living, Cleveland Magazine, Continental, The Plain Dealer, Progressive Architecture, Proto Magazine, Scientific American (online), and Time.com. He ghostwrote The Way I Saw It, the memoirs of the late Marc Wyse, co-founder of Wyse Advertising.
Deborah Magid: Playwright/composer and lyricist, Deborah Magid is also a director, actor, singer, tech writer-editor, journalist, blogger, and all-round energetic gal. She is attached to five Cleveland theaters including the Cleveland Play House as member of their prestigious Playwrights’ Unit, is a member of Dramatists’ Guild, and serves on the Board of the International Centre for Women Playwrights. Deborah’s works are not genre-identifiable as they include drama, comedy, SciFi, short, long, straight, musical, rock opera, and RICHARD WAGNER’S ENTIRE RING CYCLE IN 10 MINUTES, a one-woman play that she performs with sock puppets.
Anne McEvoy is a Cleveland actor/director who stumbled into playwriting when searching for scripts with multiple female roles for St. Joseph Academy. What resulted was an all-girl take on A Christmas Carol which calls Dicken’s authorship into question. After taking Sarah Morton’s writing workshop, she created Crashing Through Ceilings for Cleveland Public Theatre’s Black[BOX] series, which told
the true stories of 6 women in a group home. Remedy of Tea, her 3-person epilogue to Madwoman of Chaillot, was produced by Clague Playhouse, and most recently, she’s had the pleasure of reimagining two classics for Talespinner Children’s Theatre — The Magic Flute in 2012, and Clara and the Nutcracker, Nov., 2014. When not in the theatre, Anne’s a senior writer at American Greetings, has had several children’s books published, and has scripted material for Great Lakes Theatre Outreach, Pandemonium, Women in History, Gateway Walking Tours, and Cleveland’s Downtown City Alliance.
Larry Nehring has been based in Northeast Ohio for nearly two decades and has worked at nearly every theatre company in the area acting, directing, choreographing combat, or sign interpreting. Most recently he was VonTrapp at Porthouse, appeared in THE SEAFARER at Dobama, coached puppets for Cain Park’s AVENUE Q, choreographed sword fights for Cleveland School of the Arts’ CYRANO and directed (and inadvertently acted) in JACOB MARLEY’S CHRISTMAS CAROL at Weathervane. He was a featured actor at the 2013 ONE THEATRE WORLD conference for TYA/usa coordinated by the Kennedy Center and PlayhouseSquare. His film/TV work includes various commercials, AMERICAN SPLENDOR, 7 NIGHTS OF DARKNESS, and THE WAR THAT MADE AMERICA. He has workshopped scripts he has written at Dobama and through PlayhouseSquare’s LAUNCH program to develop new works. He was a semi-finalist at the National Playwrights’ Conference and has four short plays published by Playscripts, Inc. (available online). He studied at the National Theatre Institute and is a proud member of Actor’s Equity, SAG/AFTRA, and the Dramatists Guild.
Juliette Regnier is proud to join Dobama Theatre’s Playwrights GYM. And actor turned playwright, Juliette was the inaugural Nord Playwriting Fellow at Cleveland Public Theatre for the 2013/14 season and dedicated the year to a trilogy of plays called “The S Plays” the first of which, Shorn, debuted in 2007 at Dobama Theatre. Soiled and Sisters were given a staged reading and a workshop production respectively during the fellowship. Ms. Regnier’s most recent acting credits include Lady Ariadne Utterword in Heartbreak House, and Bananas in The House of Blue Leaves at the Beck Center. She has appeared onstage at Kalliope Theatre; (Cleveland Critics Circle Award for her work in Dear World), Dobama Theatre, Cleveland Public Theatre, Cleveland Signstage Theatre, The Cleveland Play House, Great Lakes Theatre, Indiana Repertory Theatre, Ensemble Theatre, and the American Repertory Theatre. Film credits include several independent shorts and she was voted best actress at the 2006 Indie Film Gathering Film Festival. She studied with the Moscow Art Theatre at Harvard University and taught undergraduate acting at Case Western Reserve University for nine years. Juliette, also a cabaret artist, debuted her fourth cabaret, Elsewhere, in 2013 which she continues to tour.
Faye Sholiton developed her work in the Cleveland Play House Playwrights’ Unit (1996-2011) and is a charter member of Dobama’s Playwrights’ Gym. Her full-length plays have been read and performed more than 45 times throughout the U.S., and in
London and have won her four Ohio Arts Council Individual Excellence grants, plus many national honors. Scenes from THE INTERVIEW, V-E DAY, ALL THINGS BEING EQUAL, and TELLING LIVES appear in multiple anthologies and THE INTERVIEW is published by Speert Publishing. PANAMA, her newest full-length had staged readings recently at Dobama and at Detroit’s Marygrove College. Since 2009, she serves as Ohio Regional Representative to the Dramatists Guild. In 2011, she founded Interplay Jewish Theatre, a company that offers free staged readings of significant works on contemporary Jewish themes. Visit www.fayesplays.com.